Depths Of Discovery

Without leaving himself, one grows with the vastness of the cosmic scope within; and yet: the farther one goes, the less he knows.

“Backwards and downwards,” the laughter and then the deep breaths, for long durations there had been nothing else. These were the only pieces of me left intact, or that I was able to find in my animated demeanor.

I sometimes felt like a memory of three words, carried by a broken down glory on the back of an empty pack of cigarettes. But it sufficed. The experience of life has been both essential and delightful in regards to the growth of me.

Over in the corner, on the fringe of awareness, the light still lingers; and in a flash of two memories colliding, my sensitivity to the light has somehow improved. 

In the beginning brightness had been all over the place and everywhere the same. It was a shining spectrum of silence, boundless but uniform. Essentially, it was without flaw, still indeterminate. And yet, while It remains all that It has forever been, it was as though the gentleness of bliss had been limited by the interpretation of an activity.

Poetry. 

The first time I finagled with the rhythm of rhyme, I felt like my soul was bouncing all over the place. Funny enough, it was when I first stepped off a plane in Colorado with the deepest cut by my side some twenty years ago. It’s true—every movement in genuine love is poetic, if not hallucinoginec.

This is how I behaved over the next few years. I was determined to stabilize myself from this exercise in spiritual growth and self-recollection from the grip of an adolescent lesson layered with love and loss, all the while doing it with a smile. I felt that the aim of poetry would saturate the deserted depths of my arid soul, only to revive the active connection between my self and the divine powers that Be. I felt that it helped to heal. I realized that it was, as it is that follows.

Poetry is an activity that is at the same time a pattern, a kind of living lattice of discovery; universal, infinitely complex, and exquisitely delicate.  A vast web of knots and divergences, of parallels and spirals, of intricate figures and their curiously distorted projections—all shining, active, and most importantly alive.

It was from then on, that first written poem, that I wanted to drape the world in the radiance of poetry, but I didn’t have enough material, nor the confidence to boot. My first attempt ended somewhere back in my twenties between my head and my heart. Sure poetry was lovely and generous, with its fields of gold. Still its goodness was the sort of goodness society had long considered out of date, so I gave it all up.

Besides, the radiance I wanted to deal in was an antiquated kind and in short supply throughout this shallow world. What I needed was a newfound radiance altogether, something a little more gorgeous and chivalrous that wouldn’t allow my imagination the time to pine away in the darkness of me. My imagination had to assert itself so that the art manifested the inner powers of my own nature, that which is love.

Without leaving himself, one grows with the vastness of the cosmic scope within; and yet: the farther one goes, the less he knows.

Then I found it again, that need for poetry, out west, a few years ago, this time it hit pretty close to home.

Does poetry have the power to pick you up in California and land you in sunny Salt Lake City a few hours later? Could it validate the distance between ourselves, and that, which lies ahead of us? Some think it has no such power. And nowadays public interest only grew wherever power did.

In the days of old, poetry was a force to be reckoned with. The poet had real romantic strength in the material world. Of course, the material was different then. Souls were still being wrapped in the fabric of divine magic, right up until the Industrial age slithered its greed around the heart and soul of mankind.

The romantic poets of society’s influence have always done what they were expected to do, they sprinkle beauty amongst the chaos, only to eventually give in to the pursuit. They chase ruin and death harder than they chase women. They set their talent ablaze, followed by a mental decline just before they reach home, and they dive headfirst down a slippery slope that slides upon a watery grave.

No, society is proud of its dead poets. Most everyone takes tremendous satisfaction in the poet’s self-taught testimony that reality is too tough, too big, too damn much; too awfully rigid with an expectation that bounces off the emotional checks and balances of a soul.

It is often thought that to be a poet is a school thing, a skirt thing, a church thing. The weakness of an unhinged spiritual prowess was proved in the childishness, madness, drunkenness, and despair of such marvelous martyrs.

So poets are loved, but loved because they just can’t make it here in the real world. We exist to loosen the grip on the feelings of experience by unraveling the tangled knots of life. We justify the cynicism of the hard-hearted men who say, “If I weren’t such a corrupt, unemotional piece of work, I couldn’t get through these times either. Look at these good, tenderhearted men, the best of us. The poor bastards perished by their own weakness, crazy sons of bitches.”

All the same, the desire of a poet will at times intersect at the corner of contradiction within himself. Maybe it’s an urge to be magical and cosmically expressive, shadowed articulate; to be able to approximate anything. Maybe it’s to be wise, philosophical, to find that common ground between the beauty of words, spirituality, love, and science, to prove that the animated emotions of the spiritual imagination are just as potent as any well-oiled war machine. Maybe it’s to believe in an ability to free and bless humankind with an unconditional love that spills from the light in the sky above.

But all the same, there in the shadows of his drive and desire, hides an inkling of expectation to be famous, and in this expectation of fame, there always hides a muse, a woman, there was always a woman behind the scenes.

Of course, it always came down to women. Freud himself believed that fame was pursued for the sake of the women. But the women were pursuing something else.

Everyone of us, both man and woman alike, are always looking for the real thing after being had and had by all the phonies. So we pray for the real thing and we rejoice when the real thing comes along. That’s why the world will always romanticize its love for poets. This is the bittersweet truth of poetry.

“Upwards and forwards,” I say silent to myself shadowed by a sudden glorified onslaught of distant laughter.

Once more a few lit fragments of self fall back to me—the same as they always were, but in some way associated, this time, with a particular light in the bright lattice of an intricate relationship, located somewhere in between what is right and what is wrong in the middle of me. It situates itself approximately on one of those little infinite nodes of intersecting alignment that shines from the core of all souls. I believe we can all agree from where in which I believe this light shines.

This pattern of intersection projects itself from another pattern, and within the other pattern I find another, larger fragment of me—a long lost memoir as a boy, scrambling out of the puddles of an adolescent ditch, wet and muddy to my knees in childlike poetry.  I shout at the shadow of a man above, “jump you chicken shit, just jump.” And as the shadow jumps, I hear a faint howl echo with laughter.

An indeterminable voice within my immediate surroundings introduces itself as gentle as possible to my contemplative state, startling both me, and my thought process awake.

“Ladies and gentlemen, please be seated and fasten your seatbelts, flight attendants please see that all tray tables are folded forward and seat backs are in the upright position, and that all overhead baggage is put away and bins are secure. We are clear for takeoff.”

Yes, it is true that a poet cannot perform societal open heart surgery, nor can he heave a bird of pewter steel thirty thousand feet in the air at seven hundred and seventy seven miles per hour, only to land soft, gentle and safe in good ole sunny Utah.

But he can damn sure die trying.

—BeLove

Soul Education

Could there be a greater miracle than for all of us to look through with consistency, the eyes of all others?

Life resides in learning to live on one’s own, spontaneous and footloose. To do this one must recognize what is one’s own—to be familiar and at home with oneself. This means basically learning who one is, and learning what one has to contribute to the growth of this fashionable world, and then learning how to make that contribution valid.

The purpose of creating is to show us how to define ourselves with authentic spontaneity in relation to the world around us. Though it is no longer authentic if one tries to impose a prefabricated definition of the world, as anything less than the capricious definition of the individual themselves.

The world is filled up with folks who are fully alive in it: that is, of the people who can be fully themselves in it and can enter into a living and cultivating relationship with each other in it.

The world is, therefore, more genuine in proportion as the people in it are able to be more humane and alive; that is to say, better able to make a lucid and conscious decision of what freedom truly is. This freedom must first of all coexist with the capacity to choose our own lives, by finding ourselves on the deepest possible level.

It is a superficial freedom to wander aimlessly here or there, to get a taste of this or that, to make the choice of certain distractions. This two-dimensional freedom is simply a sham.

It all claims to be a freedom of “choice” when in fact it evades the basic task of discovering who it is that chooses. It is not freedom because it is unwilling to run the risk of facing self-discovery.

The function of creating is, then, first of all to help the individual to educate and discover themselves: to recognize themselves, and to identify with whom it is that they choose.

This descriptive aspect of creativity will at once be seen as unconventional and, in fact, simple to most of society. To go further past the terms of outrageous, the function of creating is to help one’s own, as well as, maybe help other men and women save their souls and, and in so doing, maybe save something of society from itself.

From what you may ask? From the hell of meaningless arguments, of obsession, of complex artifice, of systematic lying, of criminal evasions and neglects, of self-destructive futilities.

It is now my hope that it is evident, to you the reader, that from my context above, I mean the following:

That the business of “saving” one’s soul means more than saving that of an imaginary object; and entrusting it to some institutional bank for deposit until we recover it with interest in Heaven. 

And that in speaking on the terms of a somewhat Christian existentialist, I mean by “soul” not as simply as the overthought Greek essential form but the mature personal identity, the creative fruit of an authentic, organic, and lucid discovery, the “self” that is found after other partial and exterior selves have finally been discarded as metaphoric masks.

This metaphor must not mislead: this inner identity is not “found” as an object, but is the very self that finds. It is lost when it forgets to find, when it does not know how to seek. Or when one seeks his soul as a material object. (Such a search via external avenues is futile and self-contradictory.)

Hence the paradox that we find when we stop seeking: and this is the point of creating. It is that when one learns to let his mind sit still and be what one has become, which is one that one does not know and never will he need to know.

This is when the miracle happens, when the paradox of life has reached maturity, we understand that to love is nothing more than a simple gesture of compassionate communication. Could there be a greater miracle than for all of us to look through with consistency, the eyes of all others?

It is when the imaginary “debts” are paid, one no longer seeks something else. One no longer looks to be told by another who one is. One no longer demands validation. One just does what they do and smiles at everything they love. After all, man is but a byproduct of everything he’s ever loved.

But there is the whole and infinite depth of what is remaining soon to be revealed. And it is not revealed to those who seek it from others. It is only revealed in the truth via self-discovery.

BeLove

After Life

“In every waking man, death dreams asleep.”

At this particular moment I must, almost in the delivery of a confession, without conviction, say that I do not consider that my birth began my original existence. Not yours. Not anyone’s. 

On creative grounds, if on nothing else alone, I cannot accept the view of death taken by most everyone, and taken by myself for most of this life—on creative grounds I am therefore obligated to oppose that something so extraordinary as a human soul can be wiped away forever.

No, our dead are about us, shut off only by our metaphysical denial of them. It is as we lie nightly in our own little astral hemispheres asleep by the billions, our dead approach us in our dreams, sharing certain ideas upon the spectrum of our souls. It is possible that the dead may consider these ideas to be their nourishment.

And maybe, just maybe, it is that by seeing these ideas in our dreams come to life is all they really want in the realm of Eternity.  And just like this particular idea of mine, all of our ideas could be considered as these sort of fallen leaves that maturity transforms within us as we approach the autumn of our lives.  

Our souls are fields of fallen leaves that cover this life with layers of metaphor and spirituality. And there are times when we may find ourselves barren with boredom, and instead of getting creative to pass the time, we starve these ideas of our dreams with the aridity of our own doubt. We let them dry up and wither away, which yields our dead from ever harvesting the sweetness of life again, and this our dead do not like.

And for some of us, the time comes in our life that we burn a lamp upon our fields of ideas so that our dreams may set our soul ablaze.  It is damn near dreadful to think of waiting for our dreams to illuminate our natural lives with all that is love and light. Especially when time has become of the essence of all that is oh so precious. So instead of think, one must light the flame in the cavern of their soul and see what shows itself.

It is by setting fire to our souls we see that the flames of divine love burn on the pyre of fervor, as our wildest dreams come to life. This is the ethereal eagerness of creative development, that burning of the mind that wipes the slate clean kind of thing.

But to take a seat and watch this short little life pass us by without looking to leave behind some kind of mark is to invite death on our way to rock bottom, only to shorten the timing of its demanding pursuit.

Don’t kid yourself though; the dead are with us, protecting us, living with us in our dreams, and within our hearts they live through us.  They are always watching over us on this spun little sphere, which is our institute of freedom.  In the next frontier, things are much more cosmic and clear; the kind of wide-open clarity that eats into freedom with a certain balance of bliss.

We are free on this earth because of cloudiness, because of human error, and because of marvelous contradiction of law and limitation. It is as much because of beauty and goodness as it is because of the blindness of evil. These have always gone hand and hand with freedom. Good and evil, like life and death, are two sides of a coin placed long ago in the mouth of the Departed.

If we lived only one of our days to the fullest, filled with consciousness and goodness, we would find the density of an entire lifetime in the simplicity of one day.  But we have become so intricately dispersed with our distracted recreations that natural life must allow us tens of thousands of days so that we may finally come to understand…

“In every waking man, death dreams asleep.”

But there is hope for us yet, and it sleeps in the possibility to be more profound than we were long before and way beyond that of good and evil. 

For now though that is all I have to say about this matter. The songbirds are rustling in the distance, the sun soon to waken. Besides, all of these thoughts about a dream of death are likely to be nothing but a waste of breath, and now the time has found me in a hurry, under such pressure—all this unfinished business.

BeLove